Wasted Words

Throw me to the wolves.

17 notes

Coda

I’m not returning—and have spent the last two-plus months free of Tumblr and quite happy for it—but I felt I left too abruptly for some people. More than I thought, seeing as I just logged on to a crowded inbox. 

I’m returning to blogging, but in a more professional manner. I don’t want to repeat the mistakes I made with Tumblr. But in the interest of reconnecting with some of those I left behind, and as a show of good faith to some of the people I unwittingly hurt—again, according to some messages I received—here is that blog:

Wasted Words

(An incredibly original title and domain name, right?)

This is, of course, all predicated on the assumption anyone actually gives a shit about my ongoing adventures. If I ventured a guess, I’d say that number is perilously close to or equaling zero. This could just be me grumbling a bit of self-important nonsense into the wind.

Oh well.

Goodbye, again.

Filed under and goodnight

24 notes

I’m wasting my life, I’ve realized. What little energy I have goes in the wrong direction and there needs to be a correction. Three and a half years on here and I haven’t done a single worthy thing. No, that’s not true. I’ve deleted the oldest post in my saved drafts, a suicide note I wrote in the winter of 2010. That was difficult. Everything else has been cursory and forgettable.

So I’m logging off.

I’ll see you around, kids.

13 notes

Anonymous asked: What do you do when you feel empty? I used to write, but I haven't done it in so long that I don't know if I can anymore.

My latest pattern has been to immerse myself in lighter fare, shows and movies grounded in a heightened reality that you wouldn’t confuse for real life. In the last two or three months I’ve rewatched every season of It’s Always Sunny in Philadelphia I don’t know how many times now (over a dozen, conservative estimate). I’ve rewatched every review and episode of Half In The Bag over at Red Letter Media a handful of times. I’ve revisited favorite episodes of Adventure Time and Avatar:  The Last Airbender because I’m not actually an adult. I’ll listen to the score for Beauty and the Beast on repeat, because fuck it, why not? 

I cycle through different reactions. There are patterns, but they pass like seasons. For example, one summer I found comfort in eschewing sleep to bike around for all hours of the night. Dozens of miles in a single night, just pedaling without aim or purpose. And then, out of nowhere, as school was starting up, I replaced that habit with breaking onto the various roofs of Kalamazoo College at night. That felt like the most natural thing in the world, at the time. 

But every time it all comes down to one of the two same options:  either distance myself as possible from living ‘inside the moment’ or embracing the moment full on, turning insular and poisonous and distant. Either live vicariously or live in my head, as it were. 

You can always write, if you’ve done it before. It’s a struggle—one I’ve known—when facing the blank page. The joy of writing having long since dried up, and now only the stories or emotions living where your Muse once did, begging for release even though you’ve forgotten how. Just keep coming to the page. In time, the words will come.

36 notes

We’re the futureless, the tetherless, the unpredictable even to ourselves. We have no answer for Where do you see yourself in five years? other than canned laughter. All we hold dear fits inside a single bag, which sits in the corner waiting for that frantic moment of packing and flight. Our bank accounts never dip below the cost of a bus ticket. Forwarding addresses fall behind us like footsteps. The shipwrecked ephemera of abandoned furniture and old books already read and almost-friends who remember two or three drunken nights with us.

How do you distract a heart? How do you settle the gut’s roiling tempest, forcing hot storm surges through your veins, each pulse screaming for another unexplored road to continue down? You eschew. You walk. You leave behind wrong-turned lovers and hollow jobs and friends who’ve grown tired of you. You slip away with barely a sound.

Filed under writing

4 notes

watcher
It was November 19th, Fitz’s two-hundredth day at sea, as it were. He realized this staring at the calendar (New England’s most scenic covered bridges, 1982) that hung over the stove in the lighthouse’s all-purpose room that served as his kitchen, study, and bedroom. Two hundred days. Four lantern bulbs fixed, six hurricanes endured, one ice storm that threatened to blow his tower off the face of the cliff, eighteen books read, one and one-half reams of paper converted into useless manuscript, endless gallons of watery tea, unnumbered bowls of flavorless oatmeal. Only years to go, at this point.
In town, at the only pub open during non-summer months, the postmaster and Marconi operator handed Fitz a message from the mainland that he knew had been coming:
Fitzgerald STOPI have received the last of your correspondence STOPI have thrown your letters into the sea STOPPlease don’t send any more STOPPlease just stop STOP
-Isabella
At night Fitz sat on the balcony of the lantern room at the top of the tower, watching the wavering lines of lights marking the horizon between black night and blacker sea. Those were ships skirting past in the night, avoiding the rocks and the reefs of the island thanks to swift orbit of the lighthouse beam. Some nights—this one in particular—he wondered what might happen if he should just take a brick in one hand and shatter the lantern bulb. Would the lights on the horizon founder, list, and slide into the dark umbra of the sea? Would some kind hand nudge them along the proper channels, avoiding the unseen disaster waiting to rent the ship sides apart below the waterline? What was fated, what was chance? It’s a crapshoot, he thought, when there’s no one guiding you through.
He remained planted to the balcony, frost blanching the tips of his beard.
(Photo:  april in october)

watcher

It was November 19th, Fitz’s two-hundredth day at sea, as it were. He realized this staring at the calendar (New England’s most scenic covered bridges, 1982) that hung over the stove in the lighthouse’s all-purpose room that served as his kitchen, study, and bedroom. Two hundred days. Four lantern bulbs fixed, six hurricanes endured, one ice storm that threatened to blow his tower off the face of the cliff, eighteen books read, one and one-half reams of paper converted into useless manuscript, endless gallons of watery tea, unnumbered bowls of flavorless oatmeal. Only years to go, at this point.

In town, at the only pub open during non-summer months, the postmaster and Marconi operator handed Fitz a message from the mainland that he knew had been coming:

Fitzgerald STOP

I have received the last of your correspondence STOP
I have thrown your letters into the sea STOP
Please don’t send any more STOP
Please just stop STOP

-Isabella

At night Fitz sat on the balcony of the lantern room at the top of the tower, watching the wavering lines of lights marking the horizon between black night and blacker sea. Those were ships skirting past in the night, avoiding the rocks and the reefs of the island thanks to swift orbit of the lighthouse beam. Some nights—this one in particular—he wondered what might happen if he should just take a brick in one hand and shatter the lantern bulb. Would the lights on the horizon founder, list, and slide into the dark umbra of the sea? Would some kind hand nudge them along the proper channels, avoiding the unseen disaster waiting to rent the ship sides apart below the waterline? What was fated, what was chance? It’s a crapshoot, he thought, when there’s no one guiding you through.

He remained planted to the balcony, frost blanching the tips of his beard.

(Photo:  april in october)

Filed under writing

27 notes

Harmon Hall, Kalamazoo College.
Early February, 2009. Night.


It’s snowing. Of course it’s snowing.

Yann Tiersen plays on the speakers. Good Bye, Lenin! score on repeat. I’m sprawled on the floor, arms above my head, fingers fanned against the walls, so cold that my skin almost sticks to the paint. Eyes closed, I can feel my reach spanning through the cement and mortar and tile and piping. Feel myself expanding room by room, hallway opening into hallway opening into hallway.

This building is alive. Directly below me, someone clicks a pen absentmindedly while studying for Organic Chemistry. Down the hall, a Freshman swimmer is the highest he’s ever been in his life and scared that the sensation will never end. Three couples are fucking in this moment (two of them sound bored, simply going through the motions; the third ecstatic and giggling, the thrill of the first time for new partners, doomed to fade in time). In the basement someone is writing on a typewriter. I’ll never learn who this person is, despite my best efforts. Movies on mute, cages lefts open, books left unread, a disgruntled roommate pissing into a bunkmate’s pillowcase, mice running tightrope across copper conduits along the utility room. No one presses their fingers to a wall. The connection holds only as long as I do.

Chicago, Illinois.
Early March, 2013. Night.


A hand reaches as casually as possible, almost as if possessed by its own will, and unfolds flat against the plaster. But as hard as I try, I feel nothing. As if I expected to in the first place.

Roommate trudges in through the front door, wiping the frost from his hat. ‘Got halfway home from work and it started snowing out of nowhere.’

Of course it’s snowing.

Filed under writing

21 notes

69 Plays
Daughter
Youth

Youth - Daughter

And if you’re in love, then you’re the lucky one,
‘cause most of us are bitter over someone.

Filed under Youth Daughter